A 16:9 conversation, framed for a phone.
Auto-reframe tracks whoever is speaking and keeps them in the frame through cuts and movement — and shows you the crop on the recording itself, not just the result.
The editor's frame panel, on any clip.
What it does
The preview is the source, cropped
One frame with a window on it, using auto-reframe's own arithmetic. Every control moves the picture, so what you are approving is the actual crop rather than an artist's impression of one.
Two people get a split frame
Where two people are genuinely in shot, the frame splits rather than guessing which one matters. Where they are not, the option is not offered — a control that produces nothing is worse than no control.
Four presets, and a fixed crop
Follow the speaker, split the frame, keep the whole frame, or set the crop by hand. At 16:9 there is nothing to reframe, and the editor says so instead of pretending.
What it will not do
It follows a subject; it does not invent one. Footage of a whiteboard, a screen share or a wide stage with nobody centred is better served by the whole frame, and that is the preset it will land on.
You already recorded it. Now cut it.
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